Tom and Jerry — The Music Issue

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Tom and JerryThe Music Issue
10 shorts where the music sings
10¢
No.1
A Metro-Goldwyn-Mayer Comic
rensite · music guide No.1 · MGM · 1944—1967
TOM & JERRY the music issue · 10 shorts
10 shorts where the music sings

Tom and Jerry barely speak. The music talks for them — and in these shorts it doesn’t just score the chase, it becomes the chase. Every short gets its own cover and storyboard.

▼ Open the program
Bill Hanna and Joseph Barbera, creators of the classic MGM / Hanna-Barbera era, 1940–1958
1940—1958

MGM · Hanna and Barbera

The original theatrical shorts by William Hanna and Joseph Barbera. They set the characters, the rhythm of the chase, and the whole visual language.

core · canon
Gene Deitch, director of the Eastern European era of Tom and Jerry, 1961–1962
1961—1962

Gene Deitch

Shorts produced in Eastern Europe. They look and sound noticeably different — often called the strangest in the franchise. This era includes the musical short Carmen Get It! (1962).

Chuck Jones, director of the Sib Tower 12 era, 1963–1967 (redesigned look, Tom’s eyebrows)
1963—1967

Chuck Jones · Sib Tower 12

A different character design — more expressive eyebrows on Tom. The late shorts belong here too: The Cat Above… and Cat and Dupli-cat.

The franchise has no strict canon. But the original MGM shorts of 1940–1958 are considered the gold standard — every later version looks back to them; everything else (TV series, features, crossovers) is a standalone take in the same tradition.

Two Oscars.
Not one line of dialogue.

The main score-driven run is the first six issues. It was the classic concert shorts that won Tom and Jerry both statuettes: The Cat Concerto and Johann Mouse. The cartoon is built entirely on music, not on words.

Just listen first. The picture will say the rest.

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